What You'll Learn
- Introduction to the stylistic nuances of Spanish-inspired ballet characterization.
- Visual breakdown of the key phrasing in Kitri's Act III solo.
- The role of épaulement and head placement in classical variations.
- How to maintain technical precision in fast-paced relevé and passé movements.
About This Video
The variation of Kitri from Act III of Don Quixote is one of the most celebrated and technically demanding solos in the classical ballet repertoire. Known for its vibrant Spanish flair, sharp musicality, and the iconic use of a fan, this variation requires a unique blend of strength and character. In this preview with Julie from Broche Ballet, we take a closer look at the intricate footwork and the spirited artistry that defines this role.
As Kitri celebrates her wedding, the choreography reflects joy through crisp relevé sequences, high passé positions, and precise épaulement. While many focus on the stamina required for the grand pas de deux, the Act III variation itself is a masterclass in control and presentation. You will see how the dancer must maintain a strong core to support quick transitions and sharp dégagé movements, all while maintaining the playful and flirtatious persona of Kitri.
At Broche Ballet, we specialize in bringing these professional variations to the adult learner, breaking down complex sequences into manageable technical goals. Whether you are preparing for a performance or simply want to challenge your technique with classical repertoire, this excerpt provides an essential look at the stylistic requirements of the Don Quixote ballet. This short preview highlights the importance of the upper body and head placement, which are just as vital as the footwork in conveying the Spanish style.
From the opening pose to the final flourish, Kitri's variation is a testament to the dancer's ability to command the stage with both technique and personality. Join us as we explore the beauty and challenge of this timeless variation, and discover how to incorporate its sharp, energetic qualities into your own ballet practice.
