What You'll Learn
- The specific stylistic nuances of the Romantic era variation for Myrtha
- How to maintain an authoritative yet ethereal character presence en pointe
- Technical insights into the signature arabesque and relevé sequences
- Port de bras techniques that convey power and command while remaining fluid
- Musicality and phrasing specific to Adolphe Adam’s iconic score for Giselle
About This Video
The role of Myrtha, Queen of the Wilis, is one of the most demanding and iconic character roles in classical ballet. In this preview of the Giselle Act II variation, we dive into the icy precision and authoritative presence required to bring this character to life. Dancing en pointe, Myrtha must exhibit both ethereal lightness and unwavering strength, commanding the stage and the Wilis under her power.
This variation is a cornerstone of the Romantic ballet era, demanding a specific stylistic approach that balances technical rigor with a haunting, otherworldly artistry. At Broche Ballet, we believe in breaking down these complex variations so that adult dancers can approach them with confidence and technical accuracy. Throughout this preview, you will see the signature movements that define Myrtha—from her sharp, clear relevé sequences to the expansive, sweeping arabesque lines that characterize her dominion over the forest.
We focus on the importance of the port de bras, which must remain graceful yet firm, reflecting Myrtha's status as a queen. Whether you are preparing for a performance or looking to challenge your en pointe technique, studying the Myrtha variation offers a masterclass in control. You will observe the subtle nuances in the transition between steps, the carriage of the head, and the precise footwork required to navigate the stage with the ghost-like fluidity expected in Act II of Giselle.
This preview serves as your gateway into the technical requirements and stylistic expectations of one of ballet’s most formidable female roles. Join us as we explore the steps, the story, and the strength behind the Queen of the Wilis.
