Balanchine’s Wisdom: Mastering the Art of Ballet Hands and Fingers

When we think about ballet technique, we often focus on the power of the legs or the stability of the core. However, the true artistry often lies in the extremities—the finishing touches that define a dancer’s style and grace. In this Broche Ballet Quick Tidbit, we dive into a profound piece of wisdom from one of the most influential figures in dance history: George Balanchine.

Balanchine famously believed that in ballet, every finger should be its own sculpture. This philosophy challenges the dancer to move beyond simply holding a correct hand position. Instead of treating the hand as a single unit, this approach requires us to consider the individual life and shape of each finger.

When you view your fingers as sculptures, they cease to be static. They become expressive tools that catch the light and add a layer of sophistication to every movement, from a simple port de bras at the barre to the most complex center work. Applying this mindset transforms the way you approach your training.

Whether you are performing a delicate arabesque or a strong pirouette preparation, the attention to detail in your hands communicates intentionality and depth. For adult dancers, focusing on these smaller nuances can often be the secret to elevating a performance from mechanical to professional. Even if you feel you have small hands or less natural flexibility in your joints, this sculptural approach is accessible.

It is not about having perfect anatomy; it is about the focus and interest you bring to each digit. By treating each finger with individual care, you create a sense of three-dimensional space and artistry. At Broche Ballet, we believe that these small technical insights are what help our students find their unique voice as artists.

Watch this quick tip to learn how to incorporate this legendary mindset into your daily practice and bring a new level of nuance to your dancing.