What You'll Learn
- How to avoid 'winging' the fingers and wrist to maintain a seamless visual line
- Techniques for elongating your silhouette in a classical arabesque
- The relationship between hand placement and the perceived length of the arm
- Quick technical adjustments for a more polished and professional look
About This Video
In the world of classical ballet, the arabesque is one of the most iconic and beautiful positions, representing grace, extension, and infinite length. However, achieving that perfect, long silhouette requires more than just leg height; it requires meticulous attention to detail from your head all the way to your fingertips. In this Broche Ballet Quick Tidbit, we dive into the subtle nuances of the port de bras that can make or break your line.
One of the most common pitfalls for dancers—from beginners to those more advanced—is the tendency to 'wing' the wrist or fingers. While it may feel expressive, breaking the line at the wrist actually shortens the visual path of the arm, making the entire pose look truncated and less expansive. By keeping the wrist and fingers 'small' and aligned with the natural curve of the arm, you create a continuous, unbroken line that draws the eye outward.
This simple adjustment in your hand placement can make your arabesque look significantly longer and more professional. At Broche Ballet, we focus on these small but impactful technical corrections that help adult dancers refine their aesthetic. Whether you are practicing at the barre or in the center, learning to maintain a clean line through the fingers will elevate your performance and provide that elongated, airy quality that defines a beautiful arabesque.
Watch as we demonstrate the difference between a 'winged' hand and a true long line, giving you the tools to self-correct during your next practice session.
