What You'll Learn
- The technical distinction between rounded and allongé versions of ballet arm positions.
- How to maintain stable upper arms while lengthening the forearms and wrists.
- The application of allongé lines in specific positions like arabesque.
- Why 'round' arms refer to a shape rather than a specific position like first position.
About This Video
In the world of ballet, the arms—or port de bras—are just as essential as the footwork. ' At Broche Ballet, we believe that understanding these subtle shifts is key to achieving a professional and fluid appearance on stage or in the studio. Many students mistakenly believe that rounding the arms only refers to first position, but in reality, 'round' describes a specific quality that can be applied to any arm position.
This quick tip tutorial breaks down the mechanics of these movements, ensuring you have the technical foundation to transition smoothly through your exercises. You will learn that every classical arm position essentially has two versions: a rounded version and a straightened, or allongé, version. For example, think of the elongated line required in an arabesque; this is a classic allongé position.
Conversely, when we pull back into a rounded shape, we aren't necessarily changing the height or basic coordinate of the arm, but rather the curve. A vital technical takeaway from this lesson is the role of the upper arms. When transitioning from a rounded position to an allongé position, the upper arms should remain stable and supported.
The lengthening happens through the elbows and wrists, creating that beautiful, reaching quality without losing the underlying structure of the port de bras. Whether you are practicing a simple tendu at the barre or performing a complex center combination, mastering the switch between rounded and allongé lines will add depth and breath to your movement. By the end of this video, you will have a clearer mental map of your semaphore and how to use your arms to express the true artistry of ballet.
